Why I stopped making merch for a revolution that does not happen / Yori Gagarim

Públic ISBD Títol : Why I stopped making merch for a revolution that does not happen Tipus de document : text imprès Autors : Yori Gagarim, Autor Editorial : Münster [Alemanya] : Edition Assemblage Data de publicació : 2017 Nombre de pàgines : 74 Dimensions : 9x14 ISBN/ISSN/DL : 978-3-96042-024-8 Idioma : Anglès (eng) Idioma original : Alemany (ger) Matèries : Edició Resum : Why I stopped making merch for a revolution that does not happen.“ is a spiraling essay on art, activism and survival. Written down within a couple of days this inner monologue captures more than two decades of precious experiences and harsh disappointments and connects growing up in a d.i.y.-family to marketable skills in recent subcultures and neoliberalism. It is a very personal approach on how to make a living as an self-taught d.i.y-artist while doing professional work in alternative communities and how (self)exploitation and disillusionment hits close to home. The story starts in the left-overs of punk in the 80ties, glances at the beginnings of streetart, anarchist and queer subcultures in Berlin and comes to an end in 2016, where frustration, boredom and abuse let to this difficult decision of dismissing yourself from what you (once) loved. It is an intense read of letting go, rich of sharp dissections of queer/leftist politics but full of love and passion after all (less) Permalink : http://cataleg.xarxabibliosocials.org/opac_css/index.php?lvl=notice_display&id=4 Why I stopped making merch for a revolution that does not happen [text imprès] / Yori Gagarim, Autor . - Münster [Alemanya] : Edition Assemblage, 2017 . - 74 ; 9x14. ISBN : 978-3-96042-024-8 Idioma : Anglès (eng) Idioma original : Alemany (ger) Matèries : Edició Resum : Why I stopped making merch for a revolution that does not happen.“ is a spiraling essay on art, activism and survival. Written down within a couple of days this inner monologue captures more than two decades of precious experiences and harsh disappointments and connects growing up in a d.i.y.-family to marketable skills in recent subcultures and neoliberalism. It is a very personal approach on how to make a living as an self-taught d.i.y-artist while doing professional work in alternative communities and how (self)exploitation and disillusionment hits close to home. The story starts in the left-overs of punk in the 80ties, glances at the beginnings of streetart, anarchist and queer subcultures in Berlin and comes to an end in 2016, where frustration, boredom and abuse let to this difficult decision of dismissing yourself from what you (once) loved. It is an intense read of letting go, rich of sharp dissections of queer/leftist politics but full of love and passion after all (less) Permalink : http://cataleg.xarxabibliosocials.org/opac_css/index.php?lvl=notice_display&id=4

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Codi de barres	Signatura topogràfica	Tipus de document	Localització	Secció	Estat
180816	51 GAG why	Llibre	Biblioteca Contraband	Mitjans de comunicació. Propaganda. Contrainformació.	Disponible